Try not to step on the chalk outlines when navigating through prairie pickers The Dead South’s catalogue. Over the course of two full-length albums, it’s true that the villainous, murderous match-strikers and revenge-takers outnumber those with good intentions, but in the end, no heinous act goes unpunished.
The Dead South, a gold rush vibing quartet infuse the genre’s traditional trappings with an air of frontier recklessness, whiskey breakfasts and grizzled tin-pan showmanship. The sound, build on a taut configuration of cello, mandolin, banjo and guitar, speeds like a train past polite definitions of bluegrass into the grittier, rowdier spaces of the traditional world.
Dead South perform at Lees Palace in Toronto photo Glenn Rodger
Currently one of the hottest tickets on both sides of the Atlantic, The Dead South’s rise to touring juggernaut status is in part a very modern music biz fairytale, an algorithm-breaking success story in a one-hundred-million view YouTube hit. The other factor, one simpler to see in terms of cause and effect, is their actual show – on stage, they deliver, show after sold-out show, a relentlessly great, high-energy frenzy that has resulted in nearly 50,000 tickets sold in 2018. The numbers are adding up for this Billboard charting, JUNO Award winning, Next Big Sound Trendsetting, Road Gold certified band. Through partnerships with ethical ticket resellers, The Dead South are helping fans fight back against shady secondary ticket markets, and have become, in their success, a model of fan-first artist citizenship.
The Dead South’s original and current lineup includes the gnarled baritone of Nate Hilts, Scott Pringle on mandolin, whistling cellist Danny Kenyon and virtuosic banjo player Colton Crawford. The four-piece, acoustic string-driven approach puts the interplay of unique and versatile voices front and centre, with Hilts, Pringle and Kenyon all sharing lead vocal duties.
Since their 2016 release, The Dead South have maintained this formidable touring pace while also finding time to pop up in fitting and meaningful ways; the band contributed to the recent, star-studded bluegrass and Americana Roger Miller tribute album, Hilts has appeared in sparse and sweet duets with fellow prairie boy Colter Wall, and the band has taken the first steps towards a new album with a trip to Muscle Shoals. The Dead South are ready for 2019 with an impressive amount of fuel for the fire.
Dead South Served Cold Tour Dates
| CANADA SERVED COLD TOUR | IRELAND / UK SERVED COLD TOUR | |||||||||
| • VANCOUVER, BC: Commodore Ballroom, Oct 19 | • DUBLIN, IE: Vicar Street, Feb 18 | |||||||||
| • EDMONTON, AB: details coming soon. | • BELFAST, UK: Ulster Hall, Feb 19 | |||||||||
| • CALGARY, AB: MacEwan Hall, Oct 24 | • GLASGOW, UK: O2 Academy, Feb 21 | |||||||||
| • SASKATOON, SK: TCU Place, Oct 25 | • NEWCASTLE, UK: O2 Academy, Feb 22 | |||||||||
| • WINNIPEG, MB: Burton Cummings Theatre, Oct 26 | • MANCHESTER, UK: Academy, Feb 23 | |||||||||
| • OTTAWA, ON: TD Place Arena, Oct 29 | • BIRMINGHAM, UK: O2 Academy, Feb 25 | |||||||||
| • TORONTO, ON: The Phoenix, Oct 31 | • PORTSMOUTH, UK: Guildhall, Feb 26 | |||||||||
| • MONTREAL, QC: MTelus, Nov 1 | • LONDON, UK: Brixton Academy, Feb 27 | |||||||||
| • QUEBEC CITY, QC: Imperial, Nov 2 | • NOTTINGHAM, UK: Rock City, Feb 28 | |||||||||
| • HALIFAX, NS: The Marquee, Nov 4 | • EXETER, UK: Great Hall, Feb 29 | |||||||||
Pre-sale starts Wednesday, May 1st
Tickets on sale Friday, May 3rd 9am EST at www.thedeadsouth.com
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