āRiffs, Resistance & a Riot of Canadian Loveā
By Yuri Woodfall ā Photojournalist, Western Canada, Soundcheck Entertainment
Tom Morello didnāt just headline KDaysāhe made a long-awaited return to a city he clearly holds close.
It had been over 20 years since Morello last performed in Edmonton, and he made no secret of how much he missed us. āItās been too damn long,ā he told the roaring crowd, soaking in the moment like a returning hero. From the second he hit the stage, it was obvious: he came back not just to perform, but to connect.
And it all started with a jaw-dropping family moment.
š¤ Roman Morello Opens the Revolution
Before Tom even stepped into the spotlight, he handed it to his sonāRoman Morelloāwho strutted out and instantly owned the stage.
With fierce confidence and blistering technique, Roman opened the night with āSoldier in the Army of Loveā and āOne Last Dance,ā backed by thunderous applause and more than a few dropped jaws. Edmonton expected Tom, but they got a double shot of Morello magic.
By the time Tom joined him, the crowd was already fully fired upāand we were just getting started.

šø Setlist Riot: Protest Meets Power Chords
From that moment on, the set unfolded like a revolution-in-progressācarefully crafted, loud as hell, and impossible to ignore.
- A blistering Rage Against the Machine medley lit a fuse under the crowd early: a taste of āBombtrackā and āKnow Your Enemyā sent fists into the air.
- He followed up with āLetās Get the Party Startedā and āHold the Line,ā layering in distortion-drenched riffs and politically charged lyrics that cut through the noise.
- Then came a powerful shift: āOne Man Revolutionā (from his Nightwatchman project) stripped things back to acoustic activism, followed by a partial performance of āSecretariatā and the cosmic chaos of āCato Stedman & Neptune Frost.ā
- He rounded out this reflective segment with āIt Begins Tonight,ā a slow-burning call to action that let the crowd breathe before revving them right back up.

š Guthrie Goes North (and Loud)
Mid-set, Morello surprised the crowd with a proudly customized version of Woody Guthrieās āThis Land Is Your Land.ā
He sang: āFrom Bonavista to Vancouver Islandā¦ā and the Expo Centre roared in delight. It was cheeky, heartfelt, and beautifully Canadianādelivered with a wink and wrapped in electric patriotism.
š¶ Covers, Chaos, and Crushing Solos
Morello then hit the gas again with:
- A ferocious cover of MC5ās āKick Out the Jams,ā
- The emotionally raw āPretend You Remember Me,ā
- A wild and theatrical take on Ozzy Osbourneās āMr. Crowley,ā proving once again thereās no riff he canāt bend to his will.
Then came the sonic onslaught.

ā” Medley Madness & Maximum Mayhem
In one of the most unforgettable sequences of the night, Morello unleashed a Rage Against the Machine / Audioslave medley that turned the Expo Centre into a battleground of rhythm and resistance:
āBombtrack / Know Your Enemy / Bulls on Parade / Guerilla Radio / Sleep Now in the Fire / Bullet in the Head / Cochiseā ā each one delivered with maximum volume and no mercy.
That segued seamlessly into a gorgeous and gut-wrenching āLike a Stoneā ā his tribute to the late Chris Cornell ā met with phone lights, soft singing, and more than a few misty eyes.

š§ Guitar as Megaphone
With Springsteenās āThe Ghost of Tom Joad,ā Morello reminded us that storytelling and protest go hand-in-hand. His guitar howled like a siren, cutting through the night with urgency and sorrow in equal measure.
And then came the finale.
āKilling in the Nameā dropped like a thunderclap, the crowd screaming every word as if their lives depended on it.
To close it all out? A singalong revolution with John Lennonās āPower to the People.ā
š£ļø The Edmonton Crowd: Worth the Wait
You could feel itāEdmonton had waited two decades for this. The crowd was all in: passionate, pumped, and louder than a wall of Marshall stacks. Whether chanting, moshing, or cheering on Roman, it was a room full of believersāand Morello gave them everything they came for.

š¤ Final Word
Tom Morelloās return to Edmonton was more than a concertāit was a rallying cry, a family celebration, and a musical gut-punch all rolled into one.
From Romanās scorching opener to Guthrieās Canadian makeover, from RATM fury to acoustic rebellion, this night had it all. Two decades later, Morello came backāand reminded us why we need voices like his more than ever.






