šŸ”„ Father, Son, and Six Strings of Fury: Tom & Roman Morello Shake KDays!

Yuri Woodfall
6 Min Read
Tom Morello, KDays 2025. Phtot by Yuri Woodfall

ā€œRiffs, Resistance & a Riot of Canadian Loveā€
By Yuri Woodfall – Photojournalist, Western Canada, Soundcheck Entertainment

Tom Morello didn’t just headline KDays—he made a long-awaited return to a city he clearly holds close.

It had been over 20 years since Morello last performed in Edmonton, and he made no secret of how much he missed us. ā€œIt’s been too damn long,ā€ he told the roaring crowd, soaking in the moment like a returning hero. From the second he hit the stage, it was obvious: he came back not just to perform, but to connect.

And it all started with a jaw-dropping family moment.


šŸŽ¤ Roman Morello Opens the Revolution

Before Tom even stepped into the spotlight, he handed it to his son—Roman Morello—who strutted out and instantly owned the stage.

With fierce confidence and blistering technique, Roman opened the night with ā€œSoldier in the Army of Loveā€ and ā€œOne Last Dance,ā€ backed by thunderous applause and more than a few dropped jaws. Edmonton expected Tom, but they got a double shot of Morello magic.

By the time Tom joined him, the crowd was already fully fired up—and we were just getting started.

Roman Morello at KDays 2025. Photo by Yuri Woodfall.

šŸŽø Setlist Riot: Protest Meets Power Chords

From that moment on, the set unfolded like a revolution-in-progress—carefully crafted, loud as hell, and impossible to ignore.

  • A blistering Rage Against the Machine medley lit a fuse under the crowd early: a taste of ā€œBombtrackā€ and ā€œKnow Your Enemyā€ sent fists into the air.
  • He followed up with ā€œLet’s Get the Party Startedā€ and ā€œHold the Line,ā€ layering in distortion-drenched riffs and politically charged lyrics that cut through the noise.
  • Then came a powerful shift: ā€œOne Man Revolutionā€ (from his Nightwatchman project) stripped things back to acoustic activism, followed by a partial performance of ā€œSecretariatā€ and the cosmic chaos of ā€œCato Stedman & Neptune Frost.ā€
  • He rounded out this reflective segment with ā€œIt Begins Tonight,ā€ a slow-burning call to action that let the crowd breathe before revving them right back up.
Tom and Roman Morello at KDays 2025. Photo by Yuri Woodfall.

šŸ Guthrie Goes North (and Loud)

Mid-set, Morello surprised the crowd with a proudly customized version of Woody Guthrie’s ā€œThis Land Is Your Land.ā€

He sang: ā€œFrom Bonavista to Vancouver Islandā€¦ā€ and the Expo Centre roared in delight. It was cheeky, heartfelt, and beautifully Canadian—delivered with a wink and wrapped in electric patriotism.


šŸŽ¶ Covers, Chaos, and Crushing Solos

Morello then hit the gas again with:

  • A ferocious cover of MC5’s ā€œKick Out the Jams,ā€
  • The emotionally raw ā€œPretend You Remember Me,ā€
  • A wild and theatrical take on Ozzy Osbourne’s ā€œMr. Crowley,ā€ proving once again there’s no riff he can’t bend to his will.

Then came the sonic onslaught.

Tom Morello at KDays 2025. Photo by Yuri Woodfall.

⚔ Medley Madness & Maximum Mayhem

In one of the most unforgettable sequences of the night, Morello unleashed a Rage Against the Machine / Audioslave medley that turned the Expo Centre into a battleground of rhythm and resistance:

ā€œBombtrack / Know Your Enemy / Bulls on Parade / Guerilla Radio / Sleep Now in the Fire / Bullet in the Head / Cochiseā€ — each one delivered with maximum volume and no mercy.

That segued seamlessly into a gorgeous and gut-wrenching ā€œLike a Stoneā€ — his tribute to the late Chris Cornell — met with phone lights, soft singing, and more than a few misty eyes.

Roman Morello at KDays 2025. Photo by Yuri Woodfall

🧠 Guitar as Megaphone

With Springsteen’s ā€œThe Ghost of Tom Joad,ā€ Morello reminded us that storytelling and protest go hand-in-hand. His guitar howled like a siren, cutting through the night with urgency and sorrow in equal measure.

And then came the finale.

ā€œKilling in the Nameā€ dropped like a thunderclap, the crowd screaming every word as if their lives depended on it.
To close it all out? A singalong revolution with John Lennon’s ā€œPower to the People.ā€


šŸ—£ļø The Edmonton Crowd: Worth the Wait

You could feel it—Edmonton had waited two decades for this. The crowd was all in: passionate, pumped, and louder than a wall of Marshall stacks. Whether chanting, moshing, or cheering on Roman, it was a room full of believers—and Morello gave them everything they came for.

Tom Morello at KDays 2025. Photo by Yuri Woodfall

šŸŽ¤ Final Word

Tom Morello’s return to Edmonton was more than a concert—it was a rallying cry, a family celebration, and a musical gut-punch all rolled into one.

From Roman’s scorching opener to Guthrie’s Canadian makeover, from RATM fury to acoustic rebellion, this night had it all. Two decades later, Morello came back—and reminded us why we need voices like his more than ever.

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